{"id":2,"date":"2019-11-01T23:02:14","date_gmt":"2019-11-01T23:02:14","guid":{"rendered":"http:\/\/jimricks.info\/jrp\/?page_id=2"},"modified":"2024-07-05T15:44:57","modified_gmt":"2024-07-05T15:44:57","slug":"about","status":"publish","type":"page","link":"http:\/\/jimricks.info\/jrp\/about\/","title":{"rendered":"ABOUT"},"content":{"rendered":"\n<p>Jim Ricks Projects is the curatorial practice of artist <a rel=\"noreferrer noopener\" href=\"http:\/\/jimricks.info\/\" target=\"_blank\">Jim Ricks<\/a>.<\/p>\n\n\n\n<p>The type of artistic activity undertaken can be seen as both an expansion of the combined activities of artistic practice, curation, exhibition making, and commercial presentations \u2013 but also an erosion of them.<\/p>\n\n\n\n<p>Often,  artistic space is &#8216;carved out&#8217; in unexpected locations and nontraditional venues are used.<\/p>\n\n\n\n<p><strong>CV<\/strong><\/p>\n\n\n\n<p>\u2022 <em>The Cash Shop<\/em>, Gort, Co. Galway, Ireland, 2023 \u2013 <\/p>\n\n\n\n<p>\u2022 <em>Sendero de Esculturas<\/em> <em>El Ameyal<\/em> | <em>El Ameyal Sculpture Trail<\/em>, SANGREE, Eva Rothschild, Ben Peterson, and more. Amealco, Quer\u00e9tero, Mexico, 2022 \u2013<\/p>\n\n\n\n<p>\u2022 <em>Las personas que viven en casas de cristal no deber\u00edan arrojar piedras<\/em> |<em> People Who Live in Glass Houses Shouldn&#8217;t Throw Stones<\/em>, with Victoria N\u00fa\u00f1ez Estrada, Charlie Godet Thomas, Romeo Mijangos Cavero, and SANGREE, Mexico City, February \u2013 September 2022<\/p>\n\n\n\n<p>\u2022 Galer\u00eda Azotea, Mexico City, February 2022<\/p>\n\n\n\n<p>\u2022 <em>Ciudadano Modelo<\/em>, Ben Peterson, M\u00f3dulo Ciudadana, Mexico City, September 2019<\/p>\n\n\n\n<p>\u2022 <em>Act\/ Interact\/ Transform<\/em>, Public art commission with Kamau Patton, Bowman School, Palo Alto, CA, 2017\u201319  <\/p>\n\n\n\n<p>\n\u2022\n<em>The\nPlay Show<\/em>,\nwith Chris Lux, Willy Reed, Andrew Chapman, Sean Barton, etc. Galeria\nDaniela Elbahara, Mexico City, May 2019<\/p>\n\n\n\n<p>\u2022\n<em>We\nOnly Want the Earth!<\/em>,\nAdobe Backroom, with Doireann Ni\u0301\nGhrioghair, Tom Molloy, Micha\u00eble Cutaya, Catherine Delaney, Ella de\nBurca, Mark Curran, and Sean Lynch, San Francisco, CA, February \u2013\nApril 2018<\/p>\n\n\n\n<p>\u2022 <em>Bleed Gallery<\/em>, with Helen Blake, Susan MacWilliam, Jeremy Deller, Mark O&#8217;Kelly, NAS 2\/3 Mary&#8217;s Abbey, March \u2013 September 2016  <\/p>\n\n\n\n<p> \u2022 Sluice Art Fair, Maggie Madden, Nina Amazing, Marcel Vidal, Toby Caldicott, London, October 19 \u2013 20, 2013<\/p>\n\n\n\n<p> \u2022 <em>FLOORONEGALLERY<\/em>, Chanelle Walshe, John Ryan, Hannah Fitz, Temple Bar Gallery &amp; Studios, 2013  <\/p>\n\n\n\n<p> \u2022 <em>Future Perfect<\/em>, Dublin City Gallery The Hugh Lane, December 2012<br><br>\u2022 <em>Apposite Extravaganza: Cheating Progress, <\/em>Part of the Volvo Ocean Race Galway, Exchange House, Fairgreen Road, Galway, June \u2013 July 2012<\/p>\n\n\n\n<p> \u2022 <em>Death and Sensuality: A group exhibition of contemporary Irish artists<\/em>, with Roisin Byrne, Benjamin DeBurca, Tom Molloy,  Breda Lynch, Alan Phelan, November \u2013 December 2011, Mina Dresden Gallery, San Francisco<\/p>\n\n\n\n<p>\n\u2022\n<em>Vis-a-vis<\/em>,\nGalway Arts Festival, The Niland Gallery, Galway, July 2011<\/p>\n\n\n\n<p>\n\u2022\n<em>Between\nMe and Galway Bay<\/em>,\nKen Fandell for Tulca, 126, Galway, November 2009<\/p>\n\n\n\n<p>\n\u2022\n<em>It\u2019s\nAbout Time<\/em>,\nHank Willis Thomas, 126, Galway, July 2009<\/p>\n\n\n\n<p>\n\u2022\n<em>Unsolicited\nFabrications<\/em>,\nStephanie Syjuco, Pallas Contemporary Projects, Dublin, May 2009<\/p>\n\n\n\n<p>\n\u2022\n<em>DADALENIN<\/em>,\nRainer Ganahl, Galway Arts Festival, 126, Galway, July  \u2013 August\n2008<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Jim Ricks Projects is the curatorial practice of artist Jim Ricks. The type of artistic activity undertaken can be seen as both an expansion of the combined activities of artistic practice, curation, exhibition making, and commercial presentations \u2013 but also an erosion of them. Often, artistic space is &#8216;carved out&#8217; in unexpected locations and nontraditional [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"open","template":"","meta":{"footnotes":""},"class_list":["post-2","page","type-page","status-publish","hentry","missing-thumbnail"],"_links":{"self":[{"href":"http:\/\/jimricks.info\/jrp\/wp-json\/wp\/v2\/pages\/2","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/jimricks.info\/jrp\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/jimricks.info\/jrp\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/jimricks.info\/jrp\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/jimricks.info\/jrp\/wp-json\/wp\/v2\/comments?post=2"}],"version-history":[{"count":13,"href":"http:\/\/jimricks.info\/jrp\/wp-json\/wp\/v2\/pages\/2\/revisions"}],"predecessor-version":[{"id":478,"href":"http:\/\/jimricks.info\/jrp\/wp-json\/wp\/v2\/pages\/2\/revisions\/478"}],"wp:attachment":[{"href":"http:\/\/jimricks.info\/jrp\/wp-json\/wp\/v2\/media?parent=2"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}